Karen Christopher and Tara Fatehi
Always Already
Presentation
Always Already is an 8-hour performance installation, exploring the weaving together of plant, human, and machine.
Art form: Durational performance installation
Age guidance: 0+
Duration: 8 hours (durational)
Space requirements: Minimum 8 metres by 12 metres playing area, audience on up to three sides
Show Description
Drawing on practices of weaving, two people construct a machine of wood, rope, masses of sheep wool, and 100 Forgotten Questions. The room turns into a loom, where small songs and dances encapsulate themes of patience, perseverance, and continuous becoming.
Audiences can come in and out throughout the 8-hour installation, which references the length of a working day. They’re encouraged to watch the 7th hour in full, when the performance takes on a thicker weave This 1-hour performance focuses on transformation: ongoing processes of becoming, the hybridity of life inherent in the world, fluid identity, and acceptance. Singing of human beings becoming other things.
Artist Information
Karen Christopher is a collaborative performance maker, performer, and teacher. Her company, Haranczak/Navarre Performance Projects, is devoted to collaborative processes, listening for the unnoticed, the almost invisible, and the very quiet, paying attention as an act of social cooperation. She was a member of Chicago-based Goat Island performance group for 20 years.
Artist website: Karen Christopher
Tara Fatehi Irani is a multidisciplinary artist, writer, and performer working with fabricated histories, fictionalised facts, mistranslated memories, and unattended archives. Tara’s work is primarily concerned with the ephemeral interactions between memories, words, and sites and the transformation of these through performance, language, and installation.
Artist website: Tara Fatehi
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One of six videos directed by Jemima Yong, from the video series Fractured Seeds in Hearts of Machine. Using performance material from Always Already.